If you’re reading this, chances are you’ve been scratching your head trying to figure out how to create that perfect tom drum sound in Sylenth1. Don’t worry, I’ve been there too. In fact, let me tell you a little story.

Back in 2015, I was working on my first ever EDM track. I had just downloaded Sylenth1 and thought I was ready to conquer the world of electronic music. Spoiler alert: I wasn’t. My "drums" sounded like someone dropping pots and pans in a kitchen. It wasn’t pretty. But over time, with a lot of trial and error (and a few embarrassing moments), I finally figured it out.

Step 1: Setting Up Oscillators—The Heart of Your Sound

The oscillators are the foundation of your tom drum sound. Think of them as the raw material you’ll sculpt into something beautiful. Let’s start by configuring OSC 1.

First, set the waveform to Saw. This gives us that rich, full-bodied tone that’s perfect for toms. Next, drop the octave down by one (-1). This lowers the pitch and gives us that deep, resonant sound we’re after. Now, crank up the voices to 8. More voices mean more thickness, which is essential for a powerful tom sound. To add some stereo width, move the pan slightly to the right (2.667). This makes the sound feel wider and more immersive. Turn on Retrig. This ensures each note starts fresh, giving your tom a cleaner attack. Finally, adjust the fine-tune to 0.260. This subtle detuning adds character and depth to the sound.

Now, let’s move on to OSC 2. This oscillator will complement OSC 1 and add even more richness to the sound. Set the waveform to Saw again. Drop the octave down by one (-1), just like OSC 1. Keep the voices at 8, because who doesn’t love a thick, beefy sound? Move the pan further to the right (3.067) for even more stereo separation. This creates a sense of space in your mix. Rotate the phase shift to 57 degrees. Phase shifting introduces phase cancellation between the two oscillators, adding complexity and depth to the sound. Turn on Retrig to ensure each note starts cleanly. Adjust the fine-tune to 0.06. This slight detuning helps differentiate OSC 2 from OSC 1, making the overall sound more interesting.

Step 2: Shaping the Sound with AMP Envelope—Giving It Life

The amplitude envelope controls how the volume of the sound changes over time. This is where we give our tom its signature punch and decay.

Start by setting the attack to 0.05. A quick attack ensures the tom has that sharp, punchy start. Increase the decay to 4.045. This allows the sound to sustain briefly before fading out, giving it a natural, drum-like feel. Bring the sustain all the way down to 0. Since we’re creating a percussive sound, we don’t need much sustain. Set the release to 0.5. This ensures the sound tails off smoothly when you release the key, avoiding any abrupt cutoffs.

Step 3: Filtering for Depth—Carving Out the Perfect Tone

Filters are like chisels for sound—they help carve out the frequencies that make your tom sound rich and full. For this step, we’ll use a bandpass filter.

Choose Bandpass as the filter type. Bandpass filters allow only a narrow range of frequencies through, which is perfect for creating focused, resonant sounds. Start with a cutoff of 5. This sets the center frequency of the bandpass filter. Boost the resonance to 3. Resonance emphasizes the cutoff frequency, giving the tom its “ring.” Add a touch of distortion by setting the drive to 6. This warms up the sound and adds a bit of grit.

In the Filter Control section, bump up the cutoff to 5.2. This tweaks the center frequency for a more refined tone. Push the resonance to 3.9. This enhances the ringing effect, making the tom sound more dynamic and lively.

Step 4: Adding Effects—Polishing the Sound

To really bring the tom to life, we’ll add some effects. These small touches can make a big difference in how your sound feels.

For distortion, select Overdrive as the distortion type. Overdrive adds warmth and character without being too harsh. Set the amount to 2.7. This level of distortion enhances the low-end thump while keeping the high-end crisp. Max out the wet/dry knob to 100%. This ensures the full effect is applied, giving the tom a more aggressive, punchy presence.

For EQ, equalization lets you boost or cut specific frequency ranges. For our tom, boost the bass by +10 dB at around 446 Hz. This enhances the low-end thump, making the tom sound powerful and impactful. Add a bit of sparkle by boosting the treble by +7.5 dB at 3.5 kHz. This brightens the sound and ensures it cuts through the mix.

Step 5: Modulation Envelopes—Adding Dynamics

Modulation envelopes control various parameters over time. Let’s tweak these to add some movement and interest to the sound.

For Mod Env 1, set the attack to 3.045. This delays the onset of the modulation, creating a smoother transition. Set the decay to 3.636. This determines how long the modulation lasts before fading out. Both the sustain and release should be set to 10. This ensures the modulation remains active throughout the sound’s duration. Dial the cutoff down to -6.8. This makes the filter sweep dynamically as the sound plays, adding a sense of motion.

For Mod Env 2, set the attack to 7.5. This introduces a longer delay before the modulation kicks in. Set the decay to 2.5. This keeps the modulation short and snappy. Set the sustain to 10 and the release to 0. This ensures the modulation happens quickly and disappears immediately after the note ends. Lower the pitch by -2.2. This creates a subtle pitch bend effect, giving the tom a more organic feel. Boost the resonance to 4.4. This enhances the ringing effect, making the sound more vibrant and alive.

Step 6: LFO for Movement—Adding That Extra Spark

Finally, let’s add some movement using an LFO. LFOs (Low-Frequency Oscillators) introduce periodic changes to the sound, making it feel more dynamic and engaging.

Set the rate to 1/4D. This means the modulation will happen once every quarter note with a triplet feel, adding a rhythmic element to the sound. Set the gain to 3.8. This controls the intensity of the modulation. Boost the pitch to 6.4. The LFO will subtly modulate the pitch, adding a sense of motion to the tom.

Final Thoughts

A killer tom drum in Sylenth1! Take a moment to play around with the settings—you might discover something new that works better for your track. Music production is all about experimentation, after all.

By the way, did you know that the word “tom” actually comes from the Japanese word tomo, meaning friend? Musicians back in the day thought the deep, resonant sound of these drums sounded friendly and approachable. Who knew?

If you enjoyed this tutorial and want more ready-to-use tom sounds, check out my free download: Sylenth1 Tom Essentials. Happy producing, and remember—keep those pots and pans far away from your studio! 😄