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          Jan 31, 2025
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            Why I’ll Stick With FL Studio Forever
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<p><span><img alt="I’ll Stick With FL Studio Forever" height="640" src="https://imgproxy.fourthwall.com/GdGSZqkDgXk3DYi7VgQF8QowRfk1FaAuDMlk7IvkDwc/w:890/el:0/q:90/sm:1/enc/ZWRlMjM0ZWYyNGJl/NmQwMWCHnWdnyPuO/QFLhe1KQM__d05yR/yYA1mbhxh81hIkCL/BT8y4uSFtKQSxe09/jOyXB84xEQwZvkg9/30QEyRuueE8CfMLs/qUKIKmAUc8_m10uc/17vRVqTVbKZEVu16/t01csJhIWWrKpT3h/K5sBvQUlKGI.webp" width="640" onerror="this.style.display='none'"></span></p>
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<p>If you’ve ever watched a DJ accidentally knock over a mixer mid-set, only to recover with a drop that blows the roof off, you’ve witnessed the magic of controlled chaos. That’s FL Studio for me—a beautiful, unpredictable playground where my dance music dreams come to life. Here’s why, after over a decade, I’m still headlining my relationship with this DAW (and why we’re basically married at this point).</p>
<h3><strong>The Accidental First Date (and How FL Studio Dropped the Beat)</strong></h3>
<p>Let’s rewind to 2011. I was a broke college student with a pirated copy of FL Studio 10 (forgive me, Image-Line—I’ve since bought three licenses to atone). My “studio” was a dorm-room desk, earbuds doubled as monitors, and a dream of mainstage festivals. Spoiler: I didn’t play Tomorrowland… yet.</p>
<p>But FL Studio did something wild: it made me<span> </span><em>believe</em><span> </span>I could be the next Hardwell. The step sequencer’s rainbow blocks were like building blocks for sound. I spent nights dragging kicks, claps, and aggressively bright synth presets into the playlist, crafting what I swore was “the next big room anthem” (it was not). My debut masterpiece? A progressive house track where the “emotional breakdown” sounded like a dial-up modem crying. My roommate still uses it as his alarm tone—to traumatize himself awake.</p>
<h3><strong>The “Aha!” Moment: When FL Studio Became My Festival Sidekick</strong></h3>
<p>By 2016, I’d flirted with Ableton and Logic, but I kept sprinting back to FL Studio like it was the mainstage during a Martin Garrix set. Why? Three words:<span> </span><strong>Lifetime. Free. Updates.</strong></p>
<p>While friends groaned about subscription fees or paid upgrades, I was smugly downloading FL Studio updates like a VIP with backstage access. Version 12 brought mixer track presets. Version 20 gave us macOS compatibility (finally!). Version 21.2 dropped the AI stem splitter—a godsend for sampling those euphoric Krewella vocals. Image-Line wasn’t just updating software; they were fueling my dancefloor ambitions.</p>
<p>And then there’s the<span> </span><strong>stock plugins</strong>. Sytrus? The FM synth that birthed my gnarly bass growls. Gross Beat? The secret sauce behind my buildups’ tension. Harmor? Still a mystery, but it makes leads shimmer like a festival laser show.</p>
<h3><strong>The Time FL Studio Saved My Sanity (and My SoundCloud Feed)</strong></h3>
<p>In 2020, lockdown hit, and I went full hermit mode—my bedroom became a 24/7 rave cave. I challenged myself to finish a track every week, and FL Studio’s<span> </span><strong>Patcher</strong><span> </span>became my co-pilot. One night, I wired up a patch combining a supersaw stack, a vocal chop from a 90s trance acapella, and a Reese bass that growled like a chainsaw.</p>
<p>The result? A chaotic big room/trance hybrid I titled “Quarantine Rage.” I uploaded it to SoundCloud, half-expecting silence. Instead, a DJ in Belgium messaged me: “This slaps. Send stems?” FL Studio had turned my stir-crazy energy into my first collab request.</p>
<h3><strong>FL Studio’s Quirks: The Afterparty You Never Want to Leave</strong></h3>
<p>Let’s be real: FL Studio’s interface looks like a UFO dashboard designed by someone who mainlines Red Bull. The first time I saw the playlist’s “clips vs. patterns” system, I questioned my life choices. The mixer’s routing feels like solving a Rubik’s Cube blindfolded. And the browser? Let’s just say my sample folder is a black hole of “Kick_23_Final_FINAL.wav.”</p>
<p>But here’s the thing:<span> </span><strong>the chaos breeds creativity</strong>. FL Studio doesn’t care if you layer a Hardwell-style big room lead over a tropical house pluck. Accidentally turned your snare into a reverb-soaked explosion? Call it “art.” It’s the DAW equivalent of a wild festival crowd: messy, unpredictable, and electric.</p>
<h3><strong>A History Lesson (with a Four-On-The-Floor Beat)</strong></h3>
<p>FL Studio’s origin story is pure underdog energy. Born in 1997 as “FruityLoops” by Belgian developer Didier Dambrin, it was dismissed as a “toy” by DAW elitists. But by the 2010s, it became the secret weapon of dance music rebels. Today, it’s behind iconic EDM tracks—Martin Garrix crafted “Animals” on it. AVAO used it for those face-melting festival drops. Even Hardwell reportedly sketches ideas in FL before moving to other tools. It’s the DAW that thrives on defying expectations, just like the artists who swear by it.</p>
<h3><strong>The “FL Studio Flow State” (Where Hours Feel Like Minutes)</strong></h3>
<p>You know that feeling when you’re knee-deep in designing a supersaw, and suddenly it’s sunrise, your energy drink’s empty, and your Spotify playlist has looped to “Sandstorm” six times? That’s the FL Studio flow state. The piano roll’s arpeggiator? Hypnotic. The playlist’s copy-paste shortcuts? Dangerously efficient.</p>
<p>I once spent 90 minutes tweaking a snare roll… for a tech house track that samples a squeaky door hinge. Was it overkill? Yes. Did it slap? Also yes.</p>
<h3><strong>Final Confession: FL Studio is My Creative Home</strong></h3>
<p>I’ve tried other DAWs. Ableton’s session view is sleek. Logic’s stock plugins are pristine. But FL Studio feels like my festival HQ—a neon-lit, shortcut-cluttered space where I can crank out a drop at 2 PM or 2 AM without second-guessing.</p>
<p>So here’s to the DAW that taught me sidechain compression, survived my “big room phase,” and never once charged me a subscription. FL Studio, you’re the wild, free-spirited collaborator I’ll never quit. And I’m riding this hype train until the wheels fall off.</p>
<p><em>Now if you’ll excuse me, I’ve got a date with the “FLEX” piano and a half-finished ID called “Mainstage Meltdown in F# Minor.”</em></p>
<p><strong>Got FL Studio chaos stories? Share your most unhinged festival-ready creations (or synth preset mishaps) below! 🎧</strong></p>
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          Jan 29, 2025
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            Analog Synths vs. AI: A Sound Designer’s Love-Hate Rant
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<p><span><img alt="Analog Synths vs. Algorithm Jockeys: A Sound Designer’s Love-Hate Rant" height="448" src="https://imgproxy.fourthwall.com/EuQ1A84TLm8_74nKap3rxpIwRYVZeIQHSr9-xGs4Rgw/w:890/el:0/q:90/sm:1/enc/NzBkN2U3NzhhOTNm/ODdmNupBq4LGt30Z/o3eD71im2sx-18NV/Lkk6L9bSb6zyoo19/YYBydiu84afBwo4i/uzEDgmFpk2ucDT8l/O00v70BVoN4j13cs/sD4_U99Sj6BVecKz/bdZ05XbnosetVI6-/iB56FhOL-lZ-AcoC/IJofsrEpaXw.webp" width="832" onerror="this.style.display='none'"></span></p>
<p class="graf graf--p">Let’s get one thing straight: I don’t own a warehouse full of vintage synths that smell like mothballs and existential dread. My “analog” setup lives inside my laptop, courtesy of plugins like Sylenth1, Serum, and Vital. You know, the perfect triad for people who want to sound like they’ve sold a kidney for gear, but actually just sold a kidney for coffee. (Priorities.)</p>
<p class="graf graf--p">That said, I’ve spent enough late nights arguing with wavetables and LFOs to have opinions about how virtual synths stack up against those trendy “type a word, get a sound” AI tools. Let’s unpack this mess.</p>
<h4 class="graf graf--h4">Infinite Possibilities? More Infinite Headaches</h4>
<p class="graf graf--p">Virtual analog synths like Serum and Vital are the digital LEGO sets for sound nerds. You can build <em class="markup--em markup--p-em">anything</em> — a bass that rattles teeth, a pad that sounds like a choir of ghosts, or a lead that’s basically just a dubstep goose honking Morse code. But here’s the catch: <strong class="markup--strong markup--p-strong">you have to actually know what you’re doing</strong>.</p>
<p class="graf graf--p">I once spent six hours designing a “thicc” bass in Serum, only to realize I’d accidentally left a frequency shifter on that made it sound like a kazoo trapped in a washing machine. My roommate walked in, paused, and said, “Is this what you went to college for?” (Yes. Yes, it was.)</p>
<p class="graf graf--p">But AI sound generators are the microwave dinners of creativity. Type “spooky forest ambiance,” and you’ll get 20 variations of wind chimes and owl hoots. But good luck asking it for “spooky forest ambiance, but make it sound like the trees are judging you.” The AI will blink at you like a confused golden retriever.</p>
<h4 class="graf graf--h4"><strong class="markup--strong markup--h4-strong">Customization: Building a Spaceship vs. Ordering Takeout</strong></h4>
<p class="graf graf--p">If you’ve ever tried to explain virtual analog synthesis to your grandma, you know the struggle. It’s like describing how to build a spaceship from a lawnmower engine. Every synth is a playground. Want a kick drum that shakes walls <em class="markup--em markup--p-em">and</em> includes a hidden Morse code message? Grab some LFOs, detune some oscillators, and hope you don’t break your CPU. I once layered so many unison voices in Serum that my laptop made a noise I can only describe as “mechanical regret.” Art.</p>
<p class="graf graf--p">Algorithm tools, though? That’s the Uber Eats of sound design: “angry robot squirrel”, generate, and, suddenly, almost but not exactly what you needed is staring at you. On the negative side, you cannot have a battle with an algorithm. “No, I don’t want ‘lo-fi glitch texture #47’, I want to hear the sound of a potato crying!” And the app sits there and just silently adds “potato crying” to your search history.</p>
<h4 class="graf graf--h4">The Human Touch: Glitches, Gremlins, and Happy Accidents</h4>
<p class="graf graf--p">Here’s the thing nobody admits: perfection is boring. Virtual analog gear is gloriously flawed. My Sylenth1 filter settings drift if I even <em class="markup--em markup--p-em">think</em> about automation. Last week, I stacked so many Vital wavetables that it started making a sound <em class="markup--em markup--p-em">before</em> I hit play. I didn’t question it — I sampled it. That’s the beauty. Synths don’t care about your plans. They’re chaotic roommates who occasionally leave pizza in the fridge but also write symphonies at 3 AM.</p>
<p class="graf graf--p">Virtual synths have this beautiful quirk: <strong class="markup--strong markup--p-strong">they’re only as good as your ability to out-stubborn them</strong>. For example, Sylenth1’s interface looks like it was designed in 2008 (because it was), but its simplicity is a superpower. No distractions — just knobs, a grid, and your poor life choices.</p>
<p class="graf graf--p">I’ll never forget the time I accidentally mapped Serum’s LFO to the <em class="markup--em markup--p-em">panning</em> instead of the filter cutoff. The result? A lead that danced left and right like it was dodging bullets in <em class="markup--em markup--p-em">The Matrix</em>. I kept it.</p>
<p class="graf graf--p">And, AI tools are the overachieving intern who follows the manual to the letter but panics if you ask them to “surprise you.” Sure, they’re getting scarily good at mimicking “vintage warmth” (looking at you, “tape saturation” plugins), but there’s still an uncanny valley of sound. Like when you realize that “organic percussion loop #12” is just a guy named Steve banging spoons in a basement, but <em class="markup--em markup--p-em">smoother</em>.</p>
<h4 class="graf graf--h4"><strong class="markup--strong markup--h4-strong">Why Pick a Side? (Spoiler: I Didn’t)</strong></h4>
<p class="graf graf--p">I’m not above using AI tools when I’m on deadline and my creativity’s running on fumes. Need 30 seconds of “cyberpunk traffic noises” by tomorrow? Fine, algorithm, do your thing. But for the sounds that <em class="markup--em markup--p-em">matter</em> — the ones that give a track personality — I’m diving into Serum or Vital every time.</p>
<p class="graf graf--p"><strong class="markup--strong markup--p-strong">Pro tip:</strong> Run your virtual analog monstrosities <em class="markup--em markup--p-em">through</em> those shiny algorithm tools. That Sylenth1 drone that sounds like a dying refrigerator? Slap it into a “cyberpunk ambiance generator,” and suddenly it’s the soundtrack to a rain-soaked neon dystopia. Sold a track like that last month. Thanks, Steve’s spoons!</p>
<h4 class="graf graf--h4"><strong class="markup--strong markup--h4-strong">Your Turn: Accept the Chaos</strong></h4>
<p class="graf graf--p">Virtual analog synths are for chefs who want to cook a 5-star meal. AI tools are for slapping peanut butter on toast and calling it “artisanal.” Both have their place, but only one lets you tell the difference between a phaser and a flanger without Googling.</p>
<p class="graf graf--p">From knob-twisting wizard to button-mashing pragmatist, the goal is the same: make noises that feel alive. If you’re curious, I’ve dumped some of my weirdest creations over on <a class="markup--anchor markup--p-anchor" href="https://pond5.com/artist/hewlaq" target="_blank" rel="noopener"><strong class="markup--strong markup--p-strong">my Pond5 page</strong></a>—everything from “subway grate harmonics” to “what happens when you feed a synth too much coffee.”</p>
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            Best Places to Download Unique Sounds for AI Training
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<p><span><img alt="Unique Sounds for AI Training" height="640" src="https://imgproxy.fourthwall.com/IUJV1OM4bO8uPl0QqCvnZVEPUIsrNyEQ2LdOjxwMyx4/w:890/el:0/q:90/sm:1/enc/NTQ4NzUxYTRiNjEz/MjNlMDz7EnoK6R0F/IGUSXtH2jWk-QbV5/gwRK82Y5BBsJkzhL/kqyT2xeboPliUUk8/lMTpWdNFhm4YNmhQ/Bf4QhcOa3YscuCOF/dhiyJNWvs0BQ0WQW/deavD4Gvt4czFWqG/PcHM8_WWU_kl9deA/MD1vMBMwZxI.webp" width="640" onerror="this.style.display='none'"></span></p>
<p>You may have noticed that there's no real platform on which companies can easily find datasets for machine learning, right? Typically, what happens is that these companies contact the creators directly and ask them for their work to train AI models. But that method can get pretty complicated and time-consuming for a lot of companies. Most of creators don't even allow their work for machine learning purpose.</p>
<p>But Hewlaq got over <strong>2,000 samples</strong>, and growing, all available for dataset training. We specialize in the most futuristic and sci-fi sounds, which are perfect for training your AI models.</p>
<p>You will find this really futuristic in nature. Not only that, but we also provide animal and general life sounds with the availability to license for projects. What's even cooler is that all of these are created on analog synthesizers, for a unique texture.</p>
<p>Thus, if you're searching for seriously cool sounds to train AI with, hit <strong><a href="https://www.pond5.com/artist/hewlaq?ref=hewlaq" target="_blank" rel="noopener">OVER HERE</a></strong> now and see what's waiting for you!</p>
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          Jan 26, 2025
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            13 Tricks You Didn’t Know | FL Studio Tutorial
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<p><span><img alt="13 FL Studio Tricks You Didn’t Know" height="720" src="https://imgproxy.fourthwall.com/3sFAxT0kOnSLTI24GIYFjz_zFKnn-YDWEJ07s0Iol1k/w:890/el:0/q:90/sm:1/enc/NzgzMDQyODZiNGY0/ZmFkMqxxHskFZ7oh/7r_n_p_V5UCa0g4x/geiw1RiBxfHdzwCd/26re4y9H4RbCkP_t/h38_HRfwV7C0QsXa/ZMXMgNoxy-dLKAoS/sjLNrBKFM7ke70hY/Q-BPHVUx_uNG98IU/s5d2WhCUnEBJIVY5/KDFgiqbHB_4.webp" width="720" onerror="this.style.display='none'"></span></p>
<p>FL Studio is one of the most popular and debated DAWs out there. Bright interface, known for flexibility in workflow and a great deal of features along with integrated plugins<span style="">—</span><span style="">FL Studio offers it all. But within this large toolkit lie some shortcuts that will really speed up the music-making process.</span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">1. AUTOMATION CLIP:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">To swiftly save time, utilize this seldom-used trick: double-click the first automation clip and navigate to the setting. Click the small icon (or the drop-down menu for the new version of FL STUDIO), then simply copy and paste to other automation clips.</p>
<p><span><img alt="" height="653" src="https://imgproxy.fourthwall.com/18eWGoxhBrZAEdHMWqNZdsSca65xUQxaHFdxAgGVI7k/w:890/el:0/q:90/sm:1/enc/ZjEwZTY3Mjg2MDQw/ZGFiNM9t4_YhocMc/1BiUJq4Gvv34w6gw/lMUdn5eAlv2P8sOR/x5GNuOrCpln00Bp5/g4YXhl-9Qi0FUTZf/PrCdWSRrWXEWxA-T/m-AqG5lAMzE-dYep/1nIjx85lR4Smxbc5/E-_HBOkwr230H0N8/y9FY65DicKE.webp" width="1093" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">2. SHOW/HIDE MIXER EFFECTS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Easily reveal all effects from a mixer by right-clicking on the effects slot. Conversely, hide them all with the same action.</p>
<p><span><img alt="" height="453" src="https://imgproxy.fourthwall.com/0Z3sOT3lBJi_78z-nbcUDPBiHgcxpVkylesX3LmGmHs/w:890/el:0/q:90/sm:1/enc/NzFkNjNhNWMzNjlk/YzdmOf67AfAElWnH/eiCbbOZZae1G1E-N/ghtL1JTB-bKUlT8E/bwIyoSgR6RQz9TZT/gBhf3RHfNf7zVz_k/xJqRERLluXavqm57/OPfryHszC9LRVLSS/Gm8IBIXPV2hmLs_G/x9KSvgUWPqUKhNil/6ZeP2qL234I.webp" width="1013" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">3. SHOW INSTRUMENTS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">While editing notes in a pattern, effortlessly display the current instrument by right-clicking on its name at the top.</p>
<p><span><img alt="" height="525" src="https://imgproxy.fourthwall.com/peW4W94MHZUn4rEijbgzgty2GK_7Uu6fGWz8Y7RF-Ic/w:890/el:0/q:90/sm:1/enc/YTFjZWM2NTM3MGE3/OGRlNxI_q1GyZBYN/SHHQKxbPn8EymXju/CFVhOtut_Mw_KIyb/KqOVoUx8Vzzcyg5d/GhKCz4BHJm0fiWQX/glUb06nx9L0kRGp5/aSzZiapb3MmvX4Yx/twAp3hQn7Shxjy7f/o9b9Q_bCs9Bq308O/M0xbtn2-Zkg.webp" width="1200" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">4. RESET ROUTING TO MASTER:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Resetting the routing number of a channel to default (the master) is a breeze. Hold Alt and left-click to execute.</p>
<p><span><img alt="" height="476" src="https://imgproxy.fourthwall.com/ySZTW6B6tz_FtjY2ZRY4D_EAlB7RdE51o6qIIYNoXq0/w:890/el:0/q:90/sm:1/enc/ODE4MTA4NDI0YWQw/ZjFiMThdzMqg5L0d/iKpQ4-u17ORJPiWf/FNIZ0qWRQXbpXTfX/j7gH88J9fGCY7AyC/XQVMNR70rSYY7TCU/bPW30Ju7dFv9rAuo/rpKd2mQco4o0x0X0/UNo7oc8reNBFQ7X_/0P-uVP6BCAnGKSN2/KWMR_1_db50.webp" width="1065" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">5. SELECT/DESELECT 2 OR MORE CHANNELS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">To select two or more channels randomly, hold Shift and left-click them individually. Conversely, for consecutive selection or deselection, maintain Shift and left-click while dragging across channels.</p>
<p><span><img alt="" height="480" src="https://imgproxy.fourthwall.com/IYVV5c0ky0rQPs_jl6TDupqe74DtDO_W8zOcEbOqxP4/w:890/el:0/q:90/sm:1/enc/YzI4MmY5Y2IxYTgy/NTI2MUt4XgOHj1s2/-XACYa7FHzXurXk7/lcwoeGe5Z5NMb5yv/R8IT6HfNYDOMM_Z5/3lmXe621aiDig6Q1/TE7n3W47uZYLilyi/aKf3kEtVcNlEQRtS/LW-DKOaqYlkvnqTq/p_Fb1Rzhxm3Pl9aY/W0bjWVoo-9s.webp" width="1196" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">6. RESET ANY KNOBS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">A quick reset of knobs is achieved by holding Alt and left-clicking. For third-party plugins, hold Ctrl and left-click.</p>
<p><span><img alt="" height="677" src="https://imgproxy.fourthwall.com/cDX-fZu9F_EzlQP2cpNuPXMI8c1_n0HTHbm-mNuy7cU/w:890/el:0/q:90/sm:1/enc/NDIxZmQ3MjU1MTE1/ZWFiOCr7RDZpjzFH/FcV3-OK25Ur3ez4b/0v9KJnx1_n3cH_EJ/ANm5F2k7B59ctnMz/X9nbacTpnco7iL1o/uHlKRvETFutGcBgL/hXGkD4-zhetNNBnG/P03US2Cwq-i057VA/ugQMpitbezxEzLIa/9-GZF-9sARg.webp" width="1200" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">7. HIDE ALL WINDOWS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Hit the F12 keyboard to hide all windows. This offers a fresh perspective when things seem cluttered.</p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">8. SOLO/UNSOLO:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Solo or unsolo everything in the playlist, channel rack, or mixer by holding Ctrl or Alt and left-clicking.</p>
<p><span><img alt="" height="463" src="https://imgproxy.fourthwall.com/dsMAFdNWX474HEsPA62Klqx47Ewcz_G7cTvIEBfYjn4/w:890/el:0/q:90/sm:1/enc/M2IwYTkxNzU1YWE3/YTliOfTEPg8vWYIb/QwKQnGsSE4lpPsBy/dqM-j2xRLqM0hxhX/6_pGIRwdq1UAzTTA/VT4Nt-E_xSy1ge26/iN2mNRMMR8viRga_/xeTQpPtuT8hEs6E_/56BYfR-cvekuh0pp/Mn3eEwOrTJVk7iXi/6oDjkhXYzmc.webp" width="1117" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">9. LOCK ITEMS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Lock items in the playlist, channel rack, or mixer by holding Shift and left-clicking. This ensures they remain unaffected by solo actions and enables multi-selection.</p>
<p><span><img alt="" height="415" src="https://imgproxy.fourthwall.com/MTDhM7KcoEENnyH64-DaNFRgS4yuqjjmilAW9OniEhU/w:890/el:0/q:90/sm:1/enc/ZjA3MDFjMTE2YzFi/ODBjYXrSPgMaQEkx/8rn9p3bX8J3vFc_Z/6E7Oy3dda1LBktE9/T6kx343qaZnu84fO/fUWcYRA0k9VNLEM_/A-CMHYczLyZeS0Fq/fgnGG0aSfeOPOBgy/a4afbt7hM1HCBcoi/1Twq99V8uVUcSeag/bx_OVYFqd48.webp" width="1085" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">10. ASSIGNED MIXER:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Double-click on the routing number in the channel rack to reveal its corresponding mixer channel.</p>
<p><span><img alt="" height="509" src="https://imgproxy.fourthwall.com/HCCEdIckdbaiJ2XE4L8hXikE22RshZAn7vfqpyL-5ss/w:890/el:0/q:90/sm:1/enc/ZTdiYTk2NjViZDgz/ZGI1ZDAs3ZVUB_oP/Q69jaq8ARkybgscV/ftNXPjsWJ6YKMxtV/R3Fneaz-bQtnCKZn/k83OIRsHITAcgzwi/Tb0HarxrQFLNpea_/HWqO_FXWzquyn8Lj/OfWiwRtjL-hR02yO/QCKNa0Q4Aq6tBaDX/Ae_yjh4hFMA.webp" width="897" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">11. GHOST NOTES:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Use ghost notes by pressing Alt + V while on a pattern to aid in identifying other channels' notes. Double right-click to reveal the real notes and their channel location.</p>
<p><span><img alt="" height="663" src="https://imgproxy.fourthwall.com/FyJoTpIvVDrI11c8lSZUTmmwc5aA6CriYfk-BqPp-_g/w:890/el:0/q:90/sm:1/enc/NThiYWVlYzI4M2Nl/NzNiNusowUGK3RjC/LNhTIuhUEF5T359V/B3-CmDf5-AJm5CLY/qtOk9LEKju5KlqSG/gxeZnfWS8hqymlsH/z5lMW8wTeAQoa2ed/P-yJzwg0ZGX6UqbB/UnGwNvaFtd3w2vf2/9WXOvbaYA-omjemc/M2hb51Zk7SM.webp" width="1200" onerror="this.style.display='none'"></span></p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">12. PIANO ROLLS:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Jump between piano rolls seamlessly without opening the channel rack. Hold Shift + J for the next one, or Shift + H for the previous one.</p>
<h2 class="ll lm fq bf ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi bk"><strong class="al">13. RENAME ANYTHING:</strong></h2>
<p class="pw-post-body-paragraph mj mk fq ml b mm mn mo mp mq mr ms mt lw mu mv mw ma mx my mz me na nb nc nd fj bk">Rename entities swiftly across FL Studio with Shift + left-click. Whether it’s in the mixer, pattern, channel rack, or playlist, this shortcut streamlines the process.</p>
<p><span><img alt="" height="453" src="https://imgproxy.fourthwall.com/9-Dbp_zWdiU5b1Omuu0iaUdfQz_V2C83ynqIaZKKW9E/w:890/el:0/q:90/sm:1/enc/ZjcyZTJiZDE1ZGY4/ODhkN6Koj48l_lm0/9bzZ3b8WLe8uDMGi/bDwR8Q97f8MAdKkJ/rN7t7dVfVTIdHWPv/A6EORjZyCLvhw7KZ/Wb42qWZ43efzbTie/qOZ9SPQIPQa8Qt-d/EgjBBZfOQe7IJK_q/_xhM1qsw6M0wCpAT/ZpBTVeMqjOg.webp" width="855" onerror="this.style.display='none'"></span></p>
<p>I hope these tips help within the process of your music-making. If you ever need more resources, tutorials, and sample packs, then go ahead and download my exclusive and unique packs—<a href="https://hewlaq.com/collections/all" target="_blank" rel="noopener">here</a>.</p>
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          Jan 26, 2025
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            How to Make Money with Your Music
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<p><span><img alt="There are several ways to generate money with your music." height="640" src="https://imgproxy.fourthwall.com/orck_BmDepbEPWGFG9PTYakCN8ldluoWSz2jLtwBr3w/w:890/el:0/q:90/sm:1/enc/Y2Q4MDkyYzAzMzE2/ZTRiNGTNfe4C4_yc/jEHrkFPJ79yRPpNe/dyo7vl6MUW99TsXC/DyWEuE0v9JEu7eTJ/65uD7v6oOYSVwXWb/h5OXShovacZ5JAof/VCGhPBFsV_ky0sFV/saN61g0ZPQchmHQ-/dxxldNgzQg2wN14i/53mDaHyoC8c.webp" width="640" onerror="this.style.display='none'"></span></p>
<ol>
<li>
<strong><span style="text-decoration:underline;">Your Track Royalties</span>: Yes—you get paid for your master recording!</strong> But not without promotion, mind you. Think streaming platforms like Spotify or selling on Beatport.</li>
<li>
<strong><span style="text-decoration:underline;">Composition Royalties</span>: If you were a writer on that track, you are owed composition royalties.</strong> These come via your PRO—or, even better, via a publishing admin. Fun fact: Some artists only own the master but not the composition because they hired other people to write the song. Spotify and such also pay a cut for using your composition. And if your track gets played on radio, TV, or live gigs? More money for you. Check out more info <a href="https://hewlaq.com/songtrust" target="_blank" rel="noopener">here</a>. </li>
<li>
<strong><span style="text-decoration:underline;">Sync Deals</span>: Your music could end up in a movie or as background music somewhere.</strong> This is called sync licensing, and it's a solid money-maker. To get started, join an agency like Bodega Sync.</li>
<li>
<strong><span style="text-decoration:underline;">Ghost Production</span>! Not interested in the spotlight?</strong> Some producers sell their tracks exclusively or through licensing deals as ghost producers. Platforms like BeatStars, House Of Tracks or Pond5 are perfect for this. More info <a href="https://hewlaq.com/pond5" target="_blank" rel="noopener">here</a>.</li>
<li>
<strong><span style="text-decoration:underline;">Sell Construction Kits</span>: Slice your track into usable samples and loops.</strong> Focus your ears on those beatmakers and producers who are always in search of new kits to use. Why not inspire them with your sounds?</li>
<li>
<strong><span style="text-decoration:underline;">Sell Project Files or Tutorials</span>: Share project files or create tutorials for extra income via YouTube. </strong>People tend to love getting to know how it's done via a behind-the-scenes or masterclass, and you could monetize the videos as well.</li>
</ol>
<p>Music’s not just an art—it’s a business. You’ve got options! Which one’s your vibe?</p>
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            Download DJ Vinyl Scratch Presets For Xfer Serum
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<p>If you make a search on Google or YouTube, you may find some DJ scratching effect tutorials using Xfer Serum. </p>
<p>Of course, with such presets, I too have been using Xfer Serum, but this was built differently in a sense that if you watched or really followed the tutorial online, all they are using is just noise; they just manipulate noise. The presets I am designing use oscillators and also make good use of the pitch along with several parameters. In this way, these presets can be modified ad infinitum to create new ones.<br><br>Listen to my demo <a href="https://hewlaq.com/supporters/audio/98348" target="_blank" rel="noopener"><strong>HERE</strong></a></p>
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            FREE DOWNLOAD: Distortion Effects
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            DJ Scratch Serum Presets Preview 
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<p>Download link: <a href="https://hewlaq.com/products/serum-vinyl-scratch" target="_blank" rel="noopener">https://hewlaq.com/products/serum-vinyl-scratch</a></p>
<p>Add some serious flavor to your music with these 25 free Xfer Serum presets! Whether you're a DJ scratching vinyl or a bedroom producer making beats, they are your ticket to sonic greatness. With just a few clicks, you'll unlock a world of turntablism-inspired sound, perfect for adding that extra punch to your tracks. Say goodbye to boring beats and hello to endless creativity.</p>
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            Sound Design - EP02: On the way!
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